This article suggests that Ricardo Piglia's non-fiction crime novel Plata quemada (1997) be read as a conscious homage to Rodolfo Walsh's earlier non-fiction novel e :Quien mato a Rosendo? (1969). The suggested reading takes as its point of departure the appearance in Piglia's text of an oblique reference to the 'play-within-theplay' of Shakespeare's Hamlet, which also contains echoes of a detail from e :Quien mato a Rosendo?. Following on from this, the article's argument is threefold: 1) that e :Quien mato a Rosendo? and Plata quemada are both concerned with a dramatization of economic paradigms, which amounts to an unveiling of the hidden violence of capitalism; 2) that Plata quemada reflects the evolution of the nature of capitalism, labour, and society in the period between 1969 and 1997; 3) that in its engagement with Walsh's text via Hamlet, Plata quemada constitutes an act of mourning for Walsh, who was killed by the 1976-1983 military regime, but also in respect of the decline of the traditional left more generally.